The story of many projects that have become part of one design: the Fiat design
The Fiat design.
From an icon like the 500 created in 1957, the 2-seater berlinetta which became the symbol of Italian car manufacturing, to the Multipla, exhibited at the MoMa in New York, Fiat has always considered design as one of its most important values. Indeed, the brand has been setting great store on design since the very early years, between the 1950s and 1970s, the golden years of Italian design, convincing excellent design companies from the Turin area to join it and breathe life into designs of great importance and courage, such as the Fiat 124 Sport Spider and the Fiat X1/9. The designs produced between the 1990s and the beginning of the new millennium were based on functionality, in line with the trends of that period. But from then on until the current day, FCA has not only invested in technology and innovation, but also and above all in Italian design, with its characteristic harmonious forms and coherent, homogeneous lines, seen worldwide as the epitome of excellence, now and always.
The Fiat style centre
They called it simply Style Centre, or Workshop 83. It is the place in which each of the visions developed by Fiat designers and engineers has taken shape over the years. It was commissioned in Turin in January 1953 by Dante Giacosa, great Italian engineer and designer, a master of the Italian car manufacturing school and always closely tied to the Fiat brand. Today the Style Centre has been transformed into the Fiat Group Style Centre, but it is still the place where the future of Italian cars is built on a daily basis. It all begins with a pencil and a piece of paper. And ends with grand Italian visions becoming cars, starting up and taking to the road.
The most famous. The most iconic. The one and only 500.
Its smile is prouder and cheekier than ever, thanks to its unique moustache and the new chromed band that decorates the bumper. And its profile has become more stylish, with new bodywork colours and wheels. But its distinguishing feature is its head lamps: the front lamps, inspired by the zero of 500, are fitted with DRL projectors, whereas the tail lamps incorporate stop lights, headlights and indicators. Many new features for the legendary berlinetta revamped for the first time in 2007, and which today, 76 years after its initial launch in 1957, has not lost a single sequin of its charm.
Not circle and not square. Squircle.
Versatile, just like the Panda. And label-less like her too. The squircle is the signature mark of the Panda: the design concept that gives the legendary car its shape and substance. Like the Panda, it has the softness of a circle and the sturdiness of a square. It is fun, just like the Panda, and also displays her good taste and functionality.
Topless since 1966
She takes her style and personality from the legendary Fiat 124 Sport Spider, which provided the inspiration for her classic, perfectly proportioned side panels, hexagonal top grille, curves on the boot and swallowtail section rear wings. The new Fiat 124 Spider has jealously preserved the grandeur displayed by her predecessor and each detail has been conceived with the greatest care and attention: the seats and steering wheel are therefore upholstered in leather, the interior in soft-touch fabric, the dashboard is decorated with stylish details and the top dashboard screen is characterised by visible stitching. But the new Fiat 124 Spider has also been designed in pursuit of the pure pleasure of driving: this is why great care has gone into ensuring the weights are perfectly balanced the design is dynamic, from the shape of the windshield posts to the position of the windscreen wipers. Filling you with excitement each time you touch the steering wheel.